Projects

For Grabble, a VR game I co-developed in Unreal Engine, I designed a procedural music system leveraging UE's Quartz and MetaSound systems. 

• Music Composition and Implementation: Created dynamic, adaptive in-game music that responds to player actions and game events.
• Sound Effects Design: Developed and integrated all in-game sound effects.
• Trailer and Promo Audio: Composed and produced music and sound cues for the game’s trailer and promotional materials, ensuring a consistent audio identity across all media.
• Game Development: Helped implement the main grappling mechanic and was involved in every aspect of the game's development.

In AirDrum VR, a VR drum performance and looping system that I built in Unity, I engineered an innovative audio solution that includes:

• Motion-Responsive Drum Sounds: Utilized VR controllers’ accelerometer data to accurately detect drum strokes and play corresponding drum sounds in real time.
• Recording and Playback Functionality: Designed a robust system for recording and playing back drum sequences, allowing users to create and layer drum patterns.

For OV Snare, a Reaktor-based audio plugin, I took on the roles of conceptualizer, programmer, and sound designer. This work included:

• Plugin Development: Designed and programmed an innovative audio plugin specifically for generating unique and powerful snare drum hits.
• Sound Design: Crafted and designed all the sounds used within the plugin.

In Async Audio Lab, a drum and synth sequencer that I developed for the Oculus Go using Unity, I created an interactive and immersive audio tool with the following features:

• Sequence Writing and Gesture Recording: Designed a system for composing melodic and rhythmic sequences and recording user gestures.
• Instrument Creation and Placement: Enabled users to create new instruments and position them in a 3D space, allowing for a highly customizable audio environment.
• 3D Sound Spatialization:  Leveraging Google's Resonance Audio, I provided a system that enables users to change the shape and acoustic properties of their environment.

I developed a Procedural Turbine Sound System in Unity that provides a highly realistic audio experience for turbine engines. 

Key features include:

• Realistic Localization: Implemented engine sound sources that are precisely localized within the turbine.
• Dynamic Sound Generation: Created procedural audio elements that can adapt to various in-game scenarios.